Shepherd Fairey dig aside, I’m not sure this image makes much sense, but with the current dearth of memorable OWS images, here’s one that sticks in the mind, at least..
Shepherd Fairey dig aside, I’m not sure this image makes much sense, but with the current dearth of memorable OWS images, here’s one that sticks in the mind, at least..
A line drawing of the U.S. flag makes for a delicately sublime print from Print-Process.
One, in a series of 2012 Olympic stamps commissioned by England’s Royal Mail, and designed by Studio David Hillman.
An ingenious 2008 Sony Walkman print ad campaign from Saatchi & Saatchi Sydney, featuring the subway maps of New York, London, and Sydney.
For their Branding issue in March 2010, Grafik magazine chose a two-color bar code illustration to striking effect.
I love Pentagram’s simple, even poignant, visual identity for Heart Center, a clinic for cardiological disorders.
This illustration by Ben Wiseman accompanies an editorial addressing the issue of disproportionate, misplaced public outrage. It could just as easily be a perfect allusion to our disproportionately misplaced propensity for wielding the exclamation mark!
The original logo for the Council of Fashion Designers of America (a mark which, inexplicably, was forsaken for something forgettable), is featured in the recently-released book of logos, Symbols.
A perfect inducement to put pencil (or pen, or marker) to paper would be this exquisitely balanced, meticulously executed illustration by Alice May Du.