Bulgarian architect Victor Vasilev must have been channeling Donald Judd when he conceived of Kub, his gasp-inducing bathroom sink design. How he manages to get weighty extra-clear glass vessels to slice into–and cantilever from–solid carrera marble (without crashing to the floor in smithereens) is anyone’s guess. And, to be sure, no one would welcome the task of keeping the precious things clean. But if minimalism is what’s called for, Vasilev knows how to deliver–clearly.
Handbag designer Kate Spade is entering the low-priced multiples art market with a series of 10 limited edition letterpress prints for the collecting, the first being this Exclamation Print, sized at 11×14″ and letterpress printed on matte stock. No word on how limited the edition is, but at $38, typophiles needn’t worry much.
“From Butch Cassidy to Bruce Springsteen, the red bandana is to wardrobes what sawdust is to sawmills, and edges are to ice skates. Designed to offer lifelong service and softness, our red bandana will not only look the part, but in a pinch it’ll make for an ideal tourniquet, a pot holder, protection from the sun & wind, or just a great handkerchief.”
If you’ve got the gumption to resurrect a quintessential piece of Americana from fashion irrelevance, you better do it with romantic flair. Best Made, predictably, has–by putting a starry personal spin on the old red bandana, packaging it in an envelope that’s anything but rough-around-the-edges, and, most calculatingly, whipping up some pitch-perfect copy. Are red bandanas poised to replace the endless parade of hipster hats? We can hope.
The Finnish design house Marimekko can always be counted on to lift winter-weary spirits with its range of eternally upbeat textile motifs. Here, some of the company’s spring 2014 prints, including (above) a 50th anniversary edition of its famous Unikko poppy, magnified in size this time–as all indelible images deserve to be.
Allen Grubesic’s mixed-media light box puts a more, well, exciting, spin on a standard exit sign.
A nice big Noma Bar illustration in today’s New York Times.
With minimalist posters all the rage, Design Sponge may just as easily have gone the clean white-and-bright route with their month-long Color of the Day series. But good on them for opting instead for something a bit more nuanced. Using a simple and effective template–banner, geometric repeat pattern, and blurb–against a backdrop of faux aged paper, they’ve turned out a surprisingly informative, elegant and pitch-perfect suite of images that manage to impress, whether viewed individually or as a cohesive statement.