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THE EQUALIZER

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This isn’t the first time the great illustrator Bob Staake has used architecture to symbolize a watershed moment in American politics. His 2008 image for The New Yorker’s post-election issue (below) was one of the most memorable covers of any year.

Fittingly, this week’s cover trades the gravitas of that year’s transcendent moment, for a touch of pitch-perfect whimsy. “I don’t especially like those rainbow colors, but…I had to use them,” he says. Of course–and to such pleasing effect.

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